Thursday, December 27, 2012

Family Portrait


The Stringer-Hyes, 20" x 30", oil on linen

Delivered!
This portrait is from a snapshot taken about 17 years ago.
They are personal friends and I was happy to get this to them
before the holiday was over.
  

Friday, December 21, 2012

Christmas Greetings


Snowman Music Box - 6" x 6", oil on board

So this is Christmas.  I can't believe it's here again so soon.
This is a ceramic music box that I found in my mom's belongings that had been in storage.
I've still been painting, just in a class or group situation.
I hope to remedy that this coming new year by painting more on my own,
and as I do, I'll be posting more.
Merry, merry to all of you!!

Saturday, June 9, 2012

Figure Drawing





Life Drawing

Same model (looks younger in second sketch), 30 minute poses.
Graphite and Conté on Canson.
Community Education classes at Watkins.


Wednesday, February 29, 2012

Stone Angel


Guardian Angel - 9" x 12" oil on linen panel

She's beginning to take shape after little sessions—
most of them in Jody Thompson's class at SouthGate Studio.

Friday, January 27, 2012

Handmade Light Box


This was a recent weekend project.
It's made out of 3/16" Gator Board, white Duck Tape and interfacing material (used in sewing).
I was inspired after seeing Carol Marine's PVC shadowbox on her studio blog.



The above was my first thinking sketch.
Having limited space to work, I wanted something that I could fold up and store easily.
I needed five cut pieces of Gator Board, 24" x 24" each.
Three of them would have 19" square openings cut in them (2.5" border/frame).
I cut these with an X-Acto knife, using a long metal straight edge with protective lip 
(keep from cutting my fingers).
Now, Gator Board cut edges can be sharp, so I lightly sanded the cut edges and
covered them all with white Duck tape for a smooth finish and to add strength to the sides.
Then I cut the interfacing material and taped that to cover the openings.



My next sketch was figuring out how to put the pieces together.
As you can see, the bottom is a solid piece.
I then laid the right (window) side down flat on top of the bottom piece.  
I used two pieces of Duck Tape to flap-attach it to the bottom
(tape should be wrapped flat over edges of the board).
I then opened 'fold #1' (edges of the two boards should be touching each other),
and put matching pieces of Duck Tape over the same hinge area.

The hinges get wider with the extra layers of board as they are stacked to create this box.
Each fold has to be opened up as you tape on the matching pieces of the hinges
to cover up the sticky tape areas left exposed by this extra space.
I know this must sound confusing, but if you try this out first with
smaller square cut pieces of board (like maybe a 6" x 6" version),
before tackling the big job, it won't be so frustrating.
Being mechanically inclined helps.



The box can be set up with some masking tape holding it together.
The masking tape can be removed and thrown away after use.  
I used three lights shining into the box at the window openings.
The fabric diffuses the light.  A cool light is on either side and a warm one above.



You can see the two hinges that hold the folded boards together at the bottom of this.
You might want to use some vellum paper to cover the windows instead of interfacing.
You could drape thin white fabric over the openings and pull it aside for direct lighting 
(use more masking tape to hold the box together with the weight of loose fabric).



I use a studio lamp on it's stand to shine light down into the top of the box.
The hinges on the bottom of the back side have extra tape sticking out as
they have to wrap around the edges of all five pieces of board when closed
(the top window folds down flat on the back and then both of
these fold down on all the other pieces when flattening the box,
so the solid bottom and back pieces are protecting the window pieces inside).



The lights that I use on either side are these small folding Ott Lites
that I bought at Michael's.



You can photograph your smaller paintings while they lean against the back panel or
objects that you want to paint.



Use sheets of color paper stock against the back and bottom
to change out the background.

You will end up with a light box that can be folded up completely when not in use,
and the folded thickness is that of five 3/8" pieces of board, almost two inches thick.
Cardboard can be used instead of Gator board, but it won't be nearly as strong.
Foamcore will warp.  Gator Board is a bit costly, but good for this.
Besides, you'll have extra Gator Board left over to mount your canvas on for painting.


Thursday, January 26, 2012

Portrait Sketch


Guitarist - 14" x 17" oil on linen

This week's live model portrait session.  Three hours... fun!

Wednesday, January 25, 2012

Breakfast Shadows


Coffee and Bagel - 12" x 12" oil on gessobord

From an early morning breakfast at a nearby coffee shop.  The sun coming in the windows makes interesting shadows on everything.

Tuesday, January 24, 2012

Angel in Progress


In the works from Jody's class at SouthGate Studio, an angel in stone.  The Chestnut Group had a paint out on New Year's Day at Mt. Olivet Cemetery.  Being the day after New Year's Eve, I didn't get up and out very early.  By the time I did, it was so windy and cold that I thought arming myself with the camera would be my best bet.  This is from a photo taken from the car (I'm such a wimp) of a beautiful monument bathed in sunlight.  This is the preliminary painting and becoming much tighter as time goes on.

9" x 12" oil on canvas panel